Well, another few months have gone by, and I've failed to post updates as often as I promised. Go figure. I seem to be overextending myself. Between community theater, my day job, my DJ business, writing, editing, and participating in writing workshops, I seem to find myself sorely lacking in that most valuable of commodities: time. That's why I'm seriously considering curtailing my theater work after my current show, to focus more on my writing. We shall see. It's either that or my day job, which isn't likely unless I start selling a lot more books!
My marketing strategy is starting to come into focus, and I want to spread the word. Things are going well, albeit slowly, with my works in progress. The Door to Justice is trucking along, but some of it is kind of a mess with all the re-writes and tweaks I've been making. But it's still on track to be released this year. The Codex Chronicles outline is finished, and I've written rough drafts of several important scenes, but no complete chapters as of yet. I'm tilting this one more toward middle grade readers, and that's new territory for me, but I feel like it's coming along well.
And I'm finally ready, I think, to reveal the mysterious non-fiction project I've been working on. I've been reluctant to do so, because, well, I felt (and still feel, sort of) that it's a bit egotistical to write. But many people, from fellow writers to peers to colleagues to close friends, have been suggesting I do this for quite some time now. I'm working on a non-fiction book about writing and publishing your first novel, from the perspective of an experienced novice. Basically, my participation in various writing groups and the advice I give, from critiquing to editing to how to find an agent to how to select a cover artist, have convinced many in my growing circle that I know what I'm talking about. I like to think that I do... I have done all the research and been through the process myself, and I've been someone people seek out with their industry questions despite the fact that my experience really only amounts to one self-published book so far. In the end, their urging won me over. Before I ever published that first book, I researched, learned, and sought advice from many professionals, and I think the knowledge I gained is more than enough to fill up a book. I'm writing from the perspective of someone who's been through the process, instructing people who are just starting on their path. I think that from that perspective, I do have valuable insights that I can pass along, even if I do still feel somewhat unqualified for the task. And of course, if I don't think the finished product is valuable or worthwhile, I certainly won't publish it. But I'm kind of excited about the project, my first foray into non-fiction.
Rocket Girl is currently on the back burner, as usual. Not because I've lost interest in the project, but because I feel that in order to give Codex and Justice the attention they deserve, I can't spread myself so thin. If I get Codex, Justice, and the non-fiction book out soon enough, I may have time to get Rocket Girl going before the year ends, but I don't think I can count on that.
And finally, a little bit about my marketing strategy. I'm planning a big launch for the release of The Door to Justice, including some paid advertising as well as mobilizing my fans for word of mouth. One of the big things that I'll be trying (assuming they accept me) is BookBub. It's a little expensive, but my research has shown that it more often than not pays for itself, and not just monetarily. So, when Justice is ready to be released, I'm hoping to time that up with a BookBub feature and sale for Canellin. The hope is, of course, that sales of Canellin alone pay for the BookBub feature, and the increased exposure gets Justice off the ground on a high note. That's just part of the overall plan, of course... I hope to also have a blog tour planned and in place for the release, as well as some other advertising, and I'm really trying to time some advance reviews to hit on the same day as well.
So that's where we stand, Gatehouse fans. Thanks for sticking with me after all this silence! I hope to have fresh news for you very soon!
Tuesday, June 16, 2015
Monday, January 19, 2015
Well, folks, as most of you know, I've decided to forgo Kickstarter for fundraising for The Door to Justice. Primarily because a lot of the things I needed to raise money for, I earned enough from the sales on The Door to Canellin to pay for. So there's really not much that I have to do out of pocket this time around.
For those of you who aren't familiar with what I'm talking about, and are wondering about the costs I'm referring to (after all, self publishing is free), there is a lot that goes into putting out a book. Cover art, cover layout and design, registering copyright, marketing, sending out advance review copies, and many other things.
But, as I said, this time around, most of that has been covered by sales of the first book. There's only a tiny bit I still have to pay for, specifically, the cover layout and logo design. I've got a decent mockup, but I'm no graphic artist, and I want the final product to be great.
But this time, instead of trying to raise a bunch of money through Kickstarter, I've decided to just offer some promotional merchandise for sale, since I don't need much. This way, you get a cool product, and you get to support independent publishing!
So head on over to my TeeChip campaign, where you'll find promotional products with my mockup of the cover for The Door to Justice available for your purchase. It's actually a very nice painting by Barnaby Bagenda (the same guy who did the dragon cover for The Door to Canellin). One look, and you'll be able to tell where Wes heads off two in the upcoming sequel! There are T-shirts available for men, ladies, and youth sizes, as well as hoodies and coffee mugs.
And after you receive your promotional merchandise, whichever you pick, if you post a pic of yourself proudly displaying it on the Door to Canellin Facebook page, I'll send you a free Kindle copy of The Door to Justice when it goes on sale!
Click Here to go to The Door to Canellin Facebook Page!
Don't miss out! The campaign only lasts two weeks, and then they're gone! Click here to go to my TeeChip campaign page!
For those of you who aren't familiar with what I'm talking about, and are wondering about the costs I'm referring to (after all, self publishing is free), there is a lot that goes into putting out a book. Cover art, cover layout and design, registering copyright, marketing, sending out advance review copies, and many other things.
But, as I said, this time around, most of that has been covered by sales of the first book. There's only a tiny bit I still have to pay for, specifically, the cover layout and logo design. I've got a decent mockup, but I'm no graphic artist, and I want the final product to be great.
But this time, instead of trying to raise a bunch of money through Kickstarter, I've decided to just offer some promotional merchandise for sale, since I don't need much. This way, you get a cool product, and you get to support independent publishing!
So head on over to my TeeChip campaign, where you'll find promotional products with my mockup of the cover for The Door to Justice available for your purchase. It's actually a very nice painting by Barnaby Bagenda (the same guy who did the dragon cover for The Door to Canellin). One look, and you'll be able to tell where Wes heads off two in the upcoming sequel! There are T-shirts available for men, ladies, and youth sizes, as well as hoodies and coffee mugs.
And after you receive your promotional merchandise, whichever you pick, if you post a pic of yourself proudly displaying it on the Door to Canellin Facebook page, I'll send you a free Kindle copy of The Door to Justice when it goes on sale!
Click Here to go to The Door to Canellin Facebook Page!
Don't miss out! The campaign only lasts two weeks, and then they're gone! Click here to go to my TeeChip campaign page!
Friday, January 9, 2015
Well, let's just have a status update, shall we? I want to kind of change the focus of this blog from talking about the trials and tribulations of self-publishing, to talking about the projects I'm working on.
So for this update, I'll talk about where I am on my various projects.
The Door to Justice is rolling along. I've got about 100 pages of 300 marked up for editing and revision. None of the revisions are major, mainly just polishing and refining my words, although at least three scenes are being added. Over the years, I believe my writing style has changed and matured. That doesn't mean I'm gravitating toward writing for mature readers. I love young adult fantasy. I love keeping a somewhat lighter tone to my work, and gearing it toward younger readers. But every writer grows and learns. The way I might have phrased something when I wrote the first draft of The Door to Justice back in 2007 is very different than I would phrase it now. Current events, other media, other things I've read, all these are things that influence style. And a lot of things have changed in my life in the past almost 8 years. All in all, I think The Door to Justice as a first draft was better than the first draft of The Door to Canellin, but Canellin got a lot of work in the 5 years between first draft and publication. Justice needs at least as much loving care and attention to be a worthy sequel, although I'm not going to dawdle... it'll be out this year, guaranteed.
The Codex Chronicles, untitled book 1, is in outline stage and I'm very pleased with where it's going. The characters are fresh and new to me, but I'm really getting to know them. It'll take a bit of effort to be able to learn their voices well enough to start writing the prose, but I already know them well enough to be able to decide their reactions to the events. The story follows a pair of eleven year old twin brothers, Timothy and Jameson Angel as they discover secrets in their hometown, and even in their own family, that rock their worlds. Timothy is a genius who is going to be graduating high school at the age of twelve, and already far surpasses students more than twice his age. Jameson is also extremely intelligent, but no match for his brother, however, he's a talented athlete. While his passion is baseball, he also studies martial arts and gymnastics. Through a mysterious new online friend of Jameson's, the young Cody, Timothy and Jameson are sucked into the sinister happenings at a local research facility.
Rocket Girl is currently being morphed from a half-finished comic book miniseries script to a fully fledged novel. I'm expanding certain ideas, pulling back on some, and generally just trying to make a book out of the concept. There are a lot of challenges in this. There are scenes, particularly in the beginning, where the visuals really tell the story. Turning those visuals into prose can be a daunting task. Rocket Girl is set in a world in which super-heroes came onto the scene in 1938, and operated through the mid-1960s. But two heroes, Big Brother and Lady Rocket, made a mistake while battling their arch villain, The Mad Mentalist, and there was a disaster that caused every super-powered human on Earth to lose their powers. In addition, there were hundreds of thousands of civilian deaths as a result. Super-heroes were blamed for the disaster, and the history books paint them as dangerous vigilantes. Our story picks up in the present day, where young Bobbi Weyer has already discovered that she has super-powers and decided to follow in the footsteps of her hero, Lady Rocket. Little does she know that her powers are a sign that the plague that devastated the heroes is wearing off, and soon more people will begin to develop super-powers.
So there you have it. An update on where I stand in the three major projects I'm working on, and a bit of information about each. Keep checking back for more information, and eventually some samples from the new projects!
So for this update, I'll talk about where I am on my various projects.
The Door to Justice is rolling along. I've got about 100 pages of 300 marked up for editing and revision. None of the revisions are major, mainly just polishing and refining my words, although at least three scenes are being added. Over the years, I believe my writing style has changed and matured. That doesn't mean I'm gravitating toward writing for mature readers. I love young adult fantasy. I love keeping a somewhat lighter tone to my work, and gearing it toward younger readers. But every writer grows and learns. The way I might have phrased something when I wrote the first draft of The Door to Justice back in 2007 is very different than I would phrase it now. Current events, other media, other things I've read, all these are things that influence style. And a lot of things have changed in my life in the past almost 8 years. All in all, I think The Door to Justice as a first draft was better than the first draft of The Door to Canellin, but Canellin got a lot of work in the 5 years between first draft and publication. Justice needs at least as much loving care and attention to be a worthy sequel, although I'm not going to dawdle... it'll be out this year, guaranteed.
The Codex Chronicles, untitled book 1, is in outline stage and I'm very pleased with where it's going. The characters are fresh and new to me, but I'm really getting to know them. It'll take a bit of effort to be able to learn their voices well enough to start writing the prose, but I already know them well enough to be able to decide their reactions to the events. The story follows a pair of eleven year old twin brothers, Timothy and Jameson Angel as they discover secrets in their hometown, and even in their own family, that rock their worlds. Timothy is a genius who is going to be graduating high school at the age of twelve, and already far surpasses students more than twice his age. Jameson is also extremely intelligent, but no match for his brother, however, he's a talented athlete. While his passion is baseball, he also studies martial arts and gymnastics. Through a mysterious new online friend of Jameson's, the young Cody, Timothy and Jameson are sucked into the sinister happenings at a local research facility.
Rocket Girl is currently being morphed from a half-finished comic book miniseries script to a fully fledged novel. I'm expanding certain ideas, pulling back on some, and generally just trying to make a book out of the concept. There are a lot of challenges in this. There are scenes, particularly in the beginning, where the visuals really tell the story. Turning those visuals into prose can be a daunting task. Rocket Girl is set in a world in which super-heroes came onto the scene in 1938, and operated through the mid-1960s. But two heroes, Big Brother and Lady Rocket, made a mistake while battling their arch villain, The Mad Mentalist, and there was a disaster that caused every super-powered human on Earth to lose their powers. In addition, there were hundreds of thousands of civilian deaths as a result. Super-heroes were blamed for the disaster, and the history books paint them as dangerous vigilantes. Our story picks up in the present day, where young Bobbi Weyer has already discovered that she has super-powers and decided to follow in the footsteps of her hero, Lady Rocket. Little does she know that her powers are a sign that the plague that devastated the heroes is wearing off, and soon more people will begin to develop super-powers.
So there you have it. An update on where I stand in the three major projects I'm working on, and a bit of information about each. Keep checking back for more information, and eventually some samples from the new projects!
Saturday, December 27, 2014
It's time to start fresh
I'm back!
In all fairness, I'm not sure many people noticed I was gone, and I'm not sure how many people might actually still follow this blog, considering the ridiculous amount of time it's been since I last updated it.
To those out there who have been interested in my books and in my posts, I apologize for my lengthy absence. As often happens, daily life has been interfering with the things I want to do. And I've also been exploring some things that I want to do, outside of writing, and have let myself be distracted from it.
Life changes can really disrupt a person's flow. They can also make a lot of things seem less important, even if they aren't. Those who have followed this blog, or who know me through other means, know that I have been struggling with vision problems for a few years now, as well as struggling as a single parent with a son in high school. Those are just a few of the obstacles I've faced over the past few years. And as of right now, well, things are changing. For some of them, I'm making them change.
What does any of this have to do with my writing? Everything.
I've finally come to the point that I can do what I choose in life. No, not financially, but with my time. I have the freedom to choose the activities that will make me happy. And, obviously, one of those activities is my writing. I have spent the last couple of months working out plans and strategies for marketing my books. I've also been working on a major overhaul of The Door to Justice. I've been working on other writing projects as well... Rocket Girl, originally planned as a superhero comic book is now going to be a novel and possibly a screenplay. The Musician, one of my earliest forays into writing when I was a teenager, is being reimagined now that I have a more mature outlook on writing. The Codex Chronicles will be an action adventure series for young readers.
And so, I'm announcing here, where no one is probably even reading it at this late date, that I have a renewed sense of purpose in my writing. I am making a New Year's resolution to publish at least two novels in 2015, one in the Gatehouse series, and one something new that you've never seen before. I'm also resolving to put in all the effort necessary for marketing my work, getting the word out, getting new readers. And this blog, while it was fun when I first started it, needs to change as well. A change of venue, a change of format. Possibly even a whole new home on the web. These are all things that I still have to work out, but for anyone out there who's still listening, check back here for news and updates, especially about the new web presence I hope to build.
And for those of you still listening... thank you!
In all fairness, I'm not sure many people noticed I was gone, and I'm not sure how many people might actually still follow this blog, considering the ridiculous amount of time it's been since I last updated it.
To those out there who have been interested in my books and in my posts, I apologize for my lengthy absence. As often happens, daily life has been interfering with the things I want to do. And I've also been exploring some things that I want to do, outside of writing, and have let myself be distracted from it.
Life changes can really disrupt a person's flow. They can also make a lot of things seem less important, even if they aren't. Those who have followed this blog, or who know me through other means, know that I have been struggling with vision problems for a few years now, as well as struggling as a single parent with a son in high school. Those are just a few of the obstacles I've faced over the past few years. And as of right now, well, things are changing. For some of them, I'm making them change.
What does any of this have to do with my writing? Everything.
I've finally come to the point that I can do what I choose in life. No, not financially, but with my time. I have the freedom to choose the activities that will make me happy. And, obviously, one of those activities is my writing. I have spent the last couple of months working out plans and strategies for marketing my books. I've also been working on a major overhaul of The Door to Justice. I've been working on other writing projects as well... Rocket Girl, originally planned as a superhero comic book is now going to be a novel and possibly a screenplay. The Musician, one of my earliest forays into writing when I was a teenager, is being reimagined now that I have a more mature outlook on writing. The Codex Chronicles will be an action adventure series for young readers.
And so, I'm announcing here, where no one is probably even reading it at this late date, that I have a renewed sense of purpose in my writing. I am making a New Year's resolution to publish at least two novels in 2015, one in the Gatehouse series, and one something new that you've never seen before. I'm also resolving to put in all the effort necessary for marketing my work, getting the word out, getting new readers. And this blog, while it was fun when I first started it, needs to change as well. A change of venue, a change of format. Possibly even a whole new home on the web. These are all things that I still have to work out, but for anyone out there who's still listening, check back here for news and updates, especially about the new web presence I hope to build.
And for those of you still listening... thank you!
Thursday, February 2, 2012
Revising -vs- Re-Writing -vs- Editing
I'm hard at work with polishing up The Door to Justice, but I don't want to go too long between blog posts. So today, I'll talk about what's on my mind... the process of preparing a book for final publication.
A question occasionally arises in writing workshops about the difference between revising, re-writing, and editing. These three things are all vital to putting out a quality manuscript, and while they may seem similar, each has its own place in the process.
Revising and re-writing are very, very similar. Revising means going through your manuscript and adding things, subtracting things, and making changes to the existing work. Changing the wording of a phrase or a paragraph doesn't constitute re-writing. It falls firmly in the revising camp. Adding a passage to flesh out a character, or adding to a paragraph, or even adding in new scenes, all qualify as revising.
Re-writing, however, implies tossing out entire sections and going back to outline or original idea. Say there's a section, chapter, or even a large passage that you just aren't happy with. Sometimes, you just have to toss out what you've done, examine what the intent is for that part of the story, and start over. Maybe you revised something from an earlier part of the book, and the next chapter no longer fits with that. In such a case, you might have to go back to your outline and make changes, and then write that part completely from scratch.
Editing actually encompasses several different things, depending on when and what you're editing. There's what I consider general editing, which is always going on. General editing is when you are looking for typos and grammatical errors, and correcting them. I do this at every stage of the writing process. But in addition to general editing, there's also content editing.
Editing for content is something I usually do in several stages. First, as I write my outlines, I go through and edit them on the fly, building the basic story until I'm satisfied that it's what I want it to be. Then, after I've done a draft, my volunteer editors and I all read through what I've written, looking for inconsistencies and ways to make the story flow better. This happens through several drafts of the book, and can encompass both revising and re-writing as part of it.
So, the difference between the three? Revising is changing, adding to, and tweaking small parts, and/or adding sections. Re-writing is scrapping something you've written and starting over. And editing, the one that you might think sounds like the least of the three, actually encompasses the other two and adds the layer of looking for typos and grammar mistakes.
Confused yet? Well, I'll boil it down a different way What's the difference between the three? Does it really matter? As long as you're doing your best to tell your story the best way you can, making it flow well, and making sure there are as few errors (or none!) as possible, you're doing it right!
A question occasionally arises in writing workshops about the difference between revising, re-writing, and editing. These three things are all vital to putting out a quality manuscript, and while they may seem similar, each has its own place in the process.
Revising and re-writing are very, very similar. Revising means going through your manuscript and adding things, subtracting things, and making changes to the existing work. Changing the wording of a phrase or a paragraph doesn't constitute re-writing. It falls firmly in the revising camp. Adding a passage to flesh out a character, or adding to a paragraph, or even adding in new scenes, all qualify as revising.
Re-writing, however, implies tossing out entire sections and going back to outline or original idea. Say there's a section, chapter, or even a large passage that you just aren't happy with. Sometimes, you just have to toss out what you've done, examine what the intent is for that part of the story, and start over. Maybe you revised something from an earlier part of the book, and the next chapter no longer fits with that. In such a case, you might have to go back to your outline and make changes, and then write that part completely from scratch.
Editing actually encompasses several different things, depending on when and what you're editing. There's what I consider general editing, which is always going on. General editing is when you are looking for typos and grammatical errors, and correcting them. I do this at every stage of the writing process. But in addition to general editing, there's also content editing.
Editing for content is something I usually do in several stages. First, as I write my outlines, I go through and edit them on the fly, building the basic story until I'm satisfied that it's what I want it to be. Then, after I've done a draft, my volunteer editors and I all read through what I've written, looking for inconsistencies and ways to make the story flow better. This happens through several drafts of the book, and can encompass both revising and re-writing as part of it.
So, the difference between the three? Revising is changing, adding to, and tweaking small parts, and/or adding sections. Re-writing is scrapping something you've written and starting over. And editing, the one that you might think sounds like the least of the three, actually encompasses the other two and adds the layer of looking for typos and grammar mistakes.
Confused yet? Well, I'll boil it down a different way What's the difference between the three? Does it really matter? As long as you're doing your best to tell your story the best way you can, making it flow well, and making sure there are as few errors (or none!) as possible, you're doing it right!
Monday, January 30, 2012
How about a sample?
Okay, folks, since I'm back and blogging again, I thought it was time to share a little bit of the work I've done. Below, you'll find the prologue and first chapter to Gatehouse: The Door to Justice, book 2 of the Gatehouse series. It should be fairly familiar, as there have been mostly minor tweaks, but that's the nature of editing and revising... a word here, a phrase there, adding something to make it work with later parts of the book, you know the drill. I may share further passages as I go along... although I'm planning on doing so sparingly, since I want the keep some of the surprises I have in store close to the vest!
Oh, and don't forget, you can get your copy of Gatehouse: The Door to Canellin by clicking the link to the left or at the bottom of this page. Available in paperback, or Kindle ebook. For other versions (Nook, Kobo, iPad, etc) just search the title at http://www.smashwords.com or at the Apple iBookstore!
Oh, and don't forget, you can get your copy of Gatehouse: The Door to Canellin by clicking the link to the left or at the bottom of this page. Available in paperback, or Kindle ebook. For other versions (Nook, Kobo, iPad, etc) just search the title at http://www.smashwords.com or at the Apple iBookstore!
Prologue
Beamer panted with exertion as she
skidded around the corner into the shadowed alcove. Without pausing, she squeezed
herself between a pair of drainage pipes and huddled back into the darkness.
The sound of booted feet was a cacphony on the street behind her.
She cringed as the squad rounded the
corner, and held her breath as the squad leader divided his men into two groups.
The man gestured silently, the light from the single streetlamp reflecting from
his visored helmet. And then the men were gone, off in search of the so-called "dangerous runaway”. With a gasp of pure relief, Beamer pushed her way back
into the alley and started toward the street.
Breaking curfew was stupid, and she
knew it. But what choice did she have? The Conclave had her scans; she was on the
grid now. She’d hidden her abilities for as long as she could, but the sixteen
year examination couldn’t be avoided. Her only choice now was flight, or being
sent off to the Conclave satellite for training. And she’d made the only choice
she could, skipping her indoctrination meeting and going to ground.
But a ray of hope had finally come.
The message had been very explicit. This was her one and only chance to escape.
The rebels wanted her, and despite what most people thought, she knew that the
only safety to be had lay with them. And the only chance to fight back. The
only chance to get a little bit of payback for her family.
They’d taken her sister two years
ago. Her abilities had been minor, they said, but it didn’t matter… metas
joined the Conclave. Period. And then, just six months later, the letter came
explaining that Dierdre had died in a training accident.
No apologies, no condolences. Just a
note, and a reminder that Beamer must submit to her sixteen year examination to
determine if she had also inherited a meta ability.
Beamer’s mind raced as she made her
way through the back alleys of New Utopia. What kind of idiot would join the Conclave
willingly? There were some, of course. People who thought it would be some kind
of adventure to become a state-sponsored hero. People who were overjoyed to
discover some hidden talent that would get them into the Conclave, get them a
better life than all the normals in the world. But they were the blind ones,
the ones who didn’t really understand what was going on. They were the ones who hadn’t heard the
rumors…
Beamer halted and pressed herself
against the wall. Had she heard a footstep off to her left? Were they narrowing
the search, about to corner her? She waited for what seemed an eternity, but
the sound didn’t come again. She glanced left and right, getting her bearings.
Unless she was mistaken, she was about two blocks from the rendezvous.
She had to be there, and on time, or
else the rebels would disappear. She’d never get a second chance. Moving away from
the wall, Beamer trotted toward the end of the alley, planning a circuitous
route to her meeting.
“Jessica Bemen ,”
said a deep voice from above and behind her, and Beamer whirled in surprise.
“You failed to appear for your indoctrination. Stay where you are, and this will
go much easier for you.”
Beamer’s gaze rose slowly to the
figure hovering above the grimy alley. Her heart beat a stuttering rhythm in
her chest as she realized this was no mere Home Guard thug. It wasn’t even a
simple Enforcer, bad as that would have been. As recognition dawned, she found
herself unable to think, unable to control herself, as she unconsciously backed
away from the hovering form. For his own part, the man calmly began to descend
to ground level, a stern look on his face, his arms crossed over his chest.
“I… I won’t go,” squeaked Beamer,
and was instantly ashamed of her fear. She squared her shoulders, summoning up
all her courage. “I don’t want to go!”
“You have no choice, Jessica ,” said the man. His uniform fit snugly, the
leather padding tight across the chest, the shining silver buttons up one side
of the breast sparkling in the dim light. Unlike most of the Conclave, he wore
no mask. He didn’t need one. Overlord had no need to hide his true identity. Overlord
was his true identity. He kept his voice soft and level, approaching
Beamer slowly. “It’s for the best, you know. You’ll be happier once you have a
chance to think about it. And you’ll be useful, Jessica .
You’ll be important.” He held out his hand to her.
“It’s Beamer,” she replied, suddenly
irritated despite her awe. She cleared her throat, straightening to her full height,
and started again. “You can call me Beamer.”
As she looked around for a means of
escape, she felt a thrill of confidence. She suddenly knew, deep down, that
Overlord didn’t really know what she was capable of. A small smile grew as she made her decision.
“I don’t know why you came after me
yourself, why you’re here and not some Enforcer. But you people killed my
sister. Do you really think I’m just going to go with you?” With that, Beamer
turned and leaped for the light of the nearest streetlamp, shouting, “Catch me
if you can!” As soon as she crossed the
threshold, her body seemed to transform, becoming a part of the light itself,
and then a brilliant streak shot off toward the east like a laser.
Her escape had taken only seconds.
She came to rest, kneeling, and let the glow fade away around her. She hoped that
she’d been fast enough, and that she’d been able to get far enough away. She
couldn’t suppress a tingling sense of triumph. She’d escaped from Overlord! He
was… he was… well, he was the greatest of the Conclave, the most powerful. He
was Overlord!
But even he couldn’t follow her at the
speed of light, halfway around the world. There was no way he could! Rising to
her feet, she began to run quickly down the street from where she’d landed, trying
to judge her surroundings. She wasn’t sure where she was, but she knew it was
farther than she’d ever gone before. She had landed between two buildings in a
city she didn't recognize. Many of the structures looked very old fashioned
and… what was the word her mother used so often? Quaint, that was it. Some of the
buildings looked quaint, but there was a strange sense of ultra-modern to
others. Her best guess was that she’d left New Utopia and the entire Jersey/York Conglomerate far behind. For all she
knew, her panicked flight had taken her to another country, maybe even
overseas! She glanced at her watch, and realized that her rendezvous was
already past. She’d missed it.
It didn’t matter. She’d have to do
without the rebels, at least for now. The important thing was not to be found,
not to be taken away. The important thing was simply to escape.
And she’d gotten away from Overlord!
Without warning, a hand shot out of
the shadows and grabbed her wrist.
“It’s no use, Jessica ,”
said Overlord, his voice soft, almost kind. “You know you’ve got to come with
me. You can’t escape. I’ll always find you. We have to teach you how to use your
powers, and how not to. You’re going to be a hero.”
Overlord pulled her closer to him,
forcing her to look into his eyes. “Be calm,” he said, forcing his way into her
thoughts. “Be calm. Don’t resist.” Beamer’s struggles weakened as his eyes
bored into hers. “Sleep , Jessica . When you wake, all that came
before this will have been a bad dream, and everything will finally make sense
to you.” Beamer’s struggles finally ceased, and her body went limp. Overlord
gently lifted her into his arms, stepping out into the open.
“Skywatch,” he said, thumbing the
communications toggle in his glove. “One for transport, my current coordinates.
Immediate stasis upon arrival.” He laid Beamer’s limp form at his feet, and
then stepped away as her body began to glow. With a shimmer, she faded from
sight. “Get her registered in the
system Code name…” He hesitated. “Code name Lightray. Let’s give her a fresh start.”
“Target retrieved,” said a rasping
voice in Overlord’s ear. “Want me to beam you up too?”
“Negative,” Overlord replied. “I
want to take a patrol lap before I head back. I haven’t put in enough live
appearances lately, and I think it’s best if I’m seen every once in a while. Besides,"
he said, glancing at his surroundings with a smile, "I haven't been to Europe in ages. I’ll fly up in half an hour or so. For
now, just make sure her stasis is secure, and that she’s not exposed to light.
I really don’t want to have to catch her again.” And with a quick leap,
Overlord sped off through the air, the roar of his passage rattling the windows
of Old London as he flew.
Chapter
1
Wes wandered the woods behind his
grandparents’ house, a stout limb serving as a walking stick. He felt at peace out
here, wandering in the silence. He walked without a care in the world, just
enjoying the day. It had surprised him how easily he had slipped back into his
life. After what he’d been through, the daily monotony of school had been a
welcome break.
Homework still grated on him, but it didn’t seem quite as distasteful as it once had. It had taken him only four days to catch up
on his late assignments, once he got down to it. The impossible task of dealing
with teachers, tests, homework, and other students had turned out to be a minor
inconvenience in comparison to… well, in comparison to fighting a dragon.
He’d managed to keep up with the rest
of his homework for the semester, too. Mrs. Jensen
in particular had been surprised by his report on the sextant, especially when
he’d brought his own in for demonstration. What had she called it? ‘An
articulate and well-documented explanation on the art of celestial navigation.’
An A+! He still had barely squeaked by with a C+ for the class, but it was a passing
grade. Passing grades in all his classes, as a matter of fact. That alone had
been a shock to his father’s system!
Not everything was better, of
course. Three months without playing the trumpet had taken its toll. He’d been
challenged twice, and dropped down all the way to fourth chair. Somehow,
though, that didn’t seem like such a devastating thing. He’d practiced a lot,
and was already back to his former skill level, maybe even surpassing it. He hadn't bothered challenging for position,
though. It just didn't really seem all
that important.
Wes looked up to see Jack walking up the slope opposite him. Wes was amused to see his cousin with a silly
grin on his face, lost in his own thoughts.
Jack was kind of a space cadet
sometimes, but Wes had to chuckle at the look on his face. He must be excited about graduation
tomorrow. Jack
was eighteen, but he and Wes still had a lot in common despite their age difference. With Wes spending so much time with his
grandparents, and Jack living just
down the road, it was only natural they'd hang out. They used to get on each
others’ nerves a lot, but that had changed as Wes got older. Especially these last few weeks. Wes waved his arm in the air to get the other
boy’s attention.
“Hey, Wes,” called Jack , working his way toward him.
“Hey, Jack ,
what’s up?” Wes stopped and waited patiently for his cousin to struggle up the
steep slope.
“Grandma said you were down here.
She said to tell you to get your butt back up there for dinner, it'll be ready
in an hour.”
“That’s cool. What are we having?”
Wes smiled. “Sounds tasty. I’ll be
up in a little while.”
“You want to go up and play some
video games? I got the new Duty Calls map pack last week.”
Wes thought about it for a moment,
but shook his head. “Nahh,” he said. “I
think I’ll just walk around for a while. It’s nice out today.”
“Nowhere in particular,” Wes
replied. Jack seemed to have something
on his mind, but Wes figured he’d let the older boy get around to it on his
own. They walked along side by side through the dense woods in silence. It
wasn’t long, though, before Jack
finally spoke.
“You know,” he said, “you’ve changed
some lately. You used to be kind of a punk.”
Wes laughed out loud. “Yeah, I
suppose I was.”
“See, that’s what I mean,” said Jack . “You’d have thrown a fit if I said something
like that a few weeks ago.”
“I guess I’m growing up.”
“About time,” the older boy said,
chuckling. “Heard you picked your grades up. Mom said you passed all your
classes, even made it out of a couple of them with B’s. You haven’t gotten in any
trouble lately, and I never hear about you and your dad fighting anymore.”
“Dad and I… eh, well, things have
changed. We have an understanding.” Wes smiled. “Things are good between us these
days.”
“Well, I’m glad,” Jack looked uncomfortable. “I’m not trying to tick
you off or anything, or get in your business, but Mom was kind of worried about
you guys. I used to hear her and Dad talking about it a lot.”
“I know. It’s okay. Some stuff
happened, and Dad and I worked a lot of things out.”
“That’s good. You know, you’re
almost tolerable nowadays.” Jack gave Wes
a grin.
“Thanks,” Wes replied sarcastically,
but with a good natured smile, and they continued on for a while without conversation.
As they trudged up a hill, Wes felt
a peculiar sensation and came to a halt. There was a pulling in his mind, as if
he were being led somewhere. It was a
familiar feeling somehow, and he shivered.
"What's wrong?" asked Jack .
And then it was gone, and Wes
shrugged. "Nothing. I just felt a..." He glanced around, but the feeling was gone. "I don’t know. Déjà vu, I guess." He began walking again, and Jack again fell in beside him.
And then they crested the top of the
hill, and Jack stopped dead in his
tracks.
“Um… where did that come from?” Jack
looked around with a confused expression. “That wasn’t here before.”
Wes stood looking down into the
hollow below, his expression grim.
“Go home, Jack ,”
he said.
“How did a house get out in the
middle of the woods without us knowing?” He looked around for a moment. “Wait…
where are we? This doesn’t look right.” He turned and looked back the way
they’d come. “There should be another hill here. It leads up to the clearing,
and then down to the pond.”
Wes let out a long sigh. “I can’t
explain it. You won’t believe me. Just go on up and tell everybody I’ll be a
little late for dinner.” Wes considered for a moment. “And tell my Dad to come
out here. He’ll know what you’re talking about.” He turned and started toward
the shack, and Jack quickly reached out
to grab his arm.
“You know something,” he said
accusingly. “What’s going on? Where are we? Where did that house come from?”
Wes jerked his arm away. “You
wouldn’t understand,” he said. “Just go get my Dad. Please, just do it.” He
quickly trotted into the hollow and up the rickety steps before Jack could stop him. Jack
started to follow, but stopped in shock when the door to the old house opened
of its own accord.
“No way,” he said. “You’re not going
in there! Are you crazy?” Wes ignored him and disappeared inside the house as the
door clicked firmly shut.
***
The house shuddered slightly as it
felt the boy enter.
The other boy remained outside, the
one that wasn’t supposed to be there, but he didn’t leave. Only a moment after
the chosen boy entered, the second rushed to the porch and began pounding on
the door.
This could be a problem. The house’s
intellect was limited in its understanding of human interactions, but it knew that
the second boy shouldn’t be there. It’s thought processes were far different
from anything a normal person could conceive, but its overriding motivation was
duty and responsibility, and it had a duty to keep its confines secure. That
duty could be circumvented by sentiment, of course, such as the house’s
decision to return the memory of the father of the chosen boy. But in this
case, there was no doubt. The second boy should not be allowed inside.
The house turned its attention to
other matters. While its intelligence and sentience were unfathomable in the conventional
sense, its mind was incredibly vast and powerful. It maintained the doorways
and kept them free of the influence of the Unnamed. It also controlled, at the
Gatekeeper’s direction, when and where the house was accessible in the real world.
It had failed in these duties before, but those had been isolated incidents,
and they had worked out for the best in the end.
A sense of wrongness suddenly
intruded on the house’s introspection. It slid its thoughts along the lines of
force that controlled the doorways, moving down the endless hallways, trying to
find the irregularity. In just moments, it discovered the source of its unease.
The house reached out to the
Gatekeeper in order to alert him to the situation, but something blocked it
from connecting with the Gatekeeper’s mind. The Gatekeeper was occupied in
conversation with the chosen boy, but that would hardly keep the house from
getting his attention. It tried again. The Gatekeeper remained frustratingly
oblivious.
What to do? This was different than
the last incursion by the forces of the Unnamed. There was no sinister
presence, no intrusion into the house itself. But the fact that the Gatekeeper
was walled off from the house was disturbing.
Something must be done, or it could
be disastrous. Even now, the Gatekeeper was leading the chosen boy up the
stairs and into the endless hallway. Time was growing short!
Perhaps… perhaps the second boy. The
boy outside, who shouldn’t be there. Perhaps…
***
Wes entered the foyer, and a
familiar sense of wonder embraced him. The house welcomed him like a Prodigal
son. He smiled in spite of himself and entered the cozy sitting room.
“Ah, you’ve arrived!” said a
pleasant voice from the hall, and Wes turned to see Pomander entering. The
little man smiled jovially, his cheeks rosy, reminding Wes of nothing more than
a tiny Santa Claus.
“Uh… yeah, I’m here,” said Wes. “I
wasn’t sure if I should come in or not. I mean, after the last time…” He sighed.
“I should wait for my dad. I promised
him…”
“Lad, you are the Gatehouse
champion, not your father,” said Pomander with a wink. “And this time, I assure
you, I am most definitely myself, and things will not be as harrowing as they were
in Canellin.” He gestured toward one of the comfortable chairs. “You must begin your training, Wes, and as
much as you wish it might be otherwise, that does not include your father.”
Wes sat down, unsure of
himself. “He’s still my dad,” he
said. “After Canellin, he and I have
been doing pretty good. I just… I don’t
want to screw that up.” He shrugged. “And besides, I still don’t really know
everything that’s going on, or what it is I’m supposed to do.”
“My boy, that’s why you’re here,”
said Pomander, taking the seat opposite Wes.
“You have responsibilities that are yours alone. And I am simply doing my part to see that you
are able to meet them.”
Wes looked away, uncomfortable. “I get it.
So what's going on? Why are you here?”
“Because it’s time, my boy,” replied
the little man. “Time to begin your education, now that we have the leisure to
do so.”
Wes couldn’t help but grin. “That
might not be as hard as you think,” he said, and he made a peculiar
wrist-flicking gesture. A pale ball of
light appeared above his open palm. “I
kept the magic,” he said proudly. “I
kept what the Gatehouse gave me.”
Pomander frowned, peering at Wes. “Of course you did,” he said, seeming
confused. And then realization dawned,
and he laughed. “Of course, of course… I still forget that you haven’t been
fully instructed in the ways of the Gatehouse, or your role as Champion. The Gatehouse didn’t give you magic, my boy,
it chose you because of the
magic. At least in part.”
Wes’s face fell. “I… I thought it
was my adjustment for Canellin. You
know, ‘the Gatehouse adjusts,’ and all that.”
“When normal people go through the
house, they get their adjustments, such as your father’s skill with a sword. But you’re no normal person!” Pomander winked
at the boy. “You’re the champion. The
Gatehouse chooses its champion based on
many factors, but one thing is always true. The
champion has inborn magical talent and power. The magic is, was, and always will be in you.
The only adjustment the Gatehouse makes to its Champion is to give him the
language of the new world.”
Wes didn’t speak for a few moments,
digesting this information. “I guess I didn’t think about it much,” he said finally.
“It makes sense, though. I just… I don’t know, I thought something special had
happened.”
“Something special did happen, my boy,” he said. “You saved
me, Canellin, and the entire Gatehouse, all in a single adventure. Without training,
you managed to save a world that would otherwise have fallen to evil, and to save the House from an incursion
by the forces of the Unnamed. A feat
which, I must admit, has never occurred in all the history of the Gatehouse.”
Wes’s eyes narrowed. “Which I wouldn’t have been able to do
without Dad.”
Pomander sighed, obviously
exasperated. “You sell yourself short,
lad! You must accept this, and know it
fully. You are the Champion! Your
father was only with you in Canellin by happenstance! However instrumental he might have been, the
protection of the realms is your
responsibility. You cannot rely on your
father in this!”
“So even after I promised him, I’m
just supposed to go off and do what this time?
Wrestle trolls? Fight giants?”
“Ah, no, nothing like that at all,”
replied Pomander, and he looked Wes in the eye. “It is simply time I began your
training, as I intended to the night you first came here. There will be no danger. I simply want to take you to a place and show
you the good that the Gatehouse Champion can accomplish. A place that has felt the benefits of such a
champion. Tell me, do you like comic
books?”
Wes was brought up short by the
sudden change in direction.
“Um, yeah, I suppose,” he replied.
“I mean, I read some comics, me and my dad both.”
“Wonderful! There’s a world waiting
for you, one I think you’ll enjoy visiting. A world where a sizeable number of
people have developed phenomenal powers, and use them for the betterment of
humanity.”
Wes sat up straight, excited.
“You’re talking about superheroes, aren’t you?” he said.
“Indeed,” replied Pomander, and he
sat back with a mischievous smile.
Wes stood quickly. “What am I going
there to do?”
“Sightsee,” said Pomander with a
chuckle. “This is no mission fraught with peril, lad. This is a chance to
experience another world without the onus of a difficult quest. This world was
rescued from the clutches of Crowley, oh, fifteen years ago, relative to their
frame of reference, although for me it was just a few short months before the
House called to you. This will be a short, easy journey, something to enjoy!” He winked.
“Something even your father couldn’t disapprove of.”
Wes sat back down. “So.
Superheroes.” Wes chewed his lip. “And you’re coming with me this time?”
“Of course, lad,” the little man
replied. “I wouldn’t miss it for the world! Visiting this world was to have been the
beginning of your education. Canellin
got in the way, but there is no reason to change that now.”
Wes chewed his lip. If his father
knew he was considering going off without him… But super-heroes! This was too good a chance to pass up. “Let’s
do it,” he said, grinning. “Just promise
me, the next time we meet, my dad comes along.
At least until he’s cool with all this.”
Pomander sighed in exasperation and
shook his head. “Agreed,” he replied finally. “But whether he becomes ‘cool
with it’ or not, it is your fate, and it is vital that you accept it of your
own free will! You will not be forced, but you must understand the importance
of your new calling!” At Wes’ reluctant nod, Pomander continued. :Come along, we must begin.” He led the way up
the stairs and into the endless hallway.
“There is less of a time
differential than there is in Canellin, but we should be able to spend a few
hours there and be back here in mere moments.
It will truly be like you never left.”
“How will we find the super-heroes?”
asked Wes.
“When we arrive, we will contact a
man known as the Protector. I haven’t spoken to him in years, by his reckoning,
but he will remember me.” He brought them to a halt after just a short walk,
but when Wes looked back down the hallway, it seemed to go on forever in either
direction.
“Here we are,” said the little man. He opened the door to reveal the swirling
nothingness behind it. “Are you ready?”
Wes smiled and walked forward
without hesitation, entering the distorted entranceway and vanishing. Pomander smiled
at the boy’s enthusiasm, and then stepped into the doorway…
And bounced off some unseen barrier,
falling backward to sprawl across the floor with a startled yelp.
***
“Open up!” shouted Jack . “Wes! Let me in!”
But when Jack had approached the
door, it hadn’t repeated its trick of opening on its own. He’d tried the knob, but
the door refused to yield. That’s when he started to get nervous. He pounded on
the door wildly, but it wouldn’t budge.
Jack stepped back and thought
furiously. He turned and ran down the steps and around to the side of the house
to peer in a window. He froze, and then blinked and rubbed his eyes. What he
was seeing made no sense. For a moment, it had seemed as if there were two
rooms inside overlapping each other like a pair of superimposed images. One
image was what he would expect, a tiny room filled with debris and cobwebs. The
other had looked like a very large den with a fireplace and several comfy
chairs. Wes had been seated in one, speaking to a small old man with a beard.
But the image had only lasted for a second, and now the room was back to its
cluttered and ruined version.
“Wes!” he shouted, banging on the
door with a closed fist. “Come on! You’re scaring me! Let me in!”
With a click, the door opened. Jack
was caught off guard, but he didn’t hesitate long. He rushed inside, his only thought
to find his cousin and get away from this crazy place.
Jack rushed through the foyer and
into the large sitting room, and was caught by a strange sensation. There was a
sense of relief, and welcome, and then of intense urgency that was almost
painful. Jack fell to his knees as information began to flow into his mind. He
felt himself losing control of his own thoughts, the sudden intrusion
staggering him. There was an undefinable
sense of ‘otherness’ to it, as if his thoughts were no longer his own.
“I don’t… I can’t…” he gasped.
“Danger? Crowley ?”
Jack shook his head, but it refused to clear. “Danger in the hall. Tampering
with the portal. Stop them!”
Jack stood, all coherent thought
driven from his head. He had to stop them! Without thinking, he rushed to the
stairs and started upward.
As he reached the landing, Jack
looked down the endless hallway. Off in the distance, he could see two small figures
standing in front of an open door. He began to run down the hall just as one of
the figures entered the doorway.
As he approached, he recognized the
second figure as the small man he’d glimpsed through the window. The man
stepped forward, but then recoiled from the entrance to sprawl in the floor as
Jack reached his side.
“Stop!” shouted the boy. “Don’t go
through!”
The little man looked up from where
he lay, his eyes widening.
“Who are you? How did you get here?”
The man struggled to his feet.
“Don’t go through the door!” said Jack . “There’s a…” he searched for the words, unable
to understand how he knew what he was saying. “There’s a blockage! It’s been
tampered with!” Once those words were spoken, Jack suddenly felt the intense
urgency fade. His eyes cleared, as did his mind, and he looked down at the
little man at his feet.
“What do you mean, a blockage?”
asked the man. “What are you talking about?”
“I don’t know,” said Jack . “Who are you? Where did Wes go?”
“He…” the little man paused, and
then his eyes widened in sudden comprehension. “The House let you in! Oh, no.
No, no, no!” He jumped to his feet. “You said the doorway was tampered with!”
He closed his eyes and seemed to concentrate for a moment. His eyes snapped
open, and his expression grew panicked. “And I can’t communicate with the
house!”
“I don’t even know what you’re
talking about!” shouted Jack in frustration. “Where did Wes go? What’s going on?”
“He went through the doorway,” said
the little man absently. “Oh, dear, this isn’t good. I’ve got to trace down whatever
spell they used. I have to get through!”
Jack turned and looked at the
swirling nothingness behind the doorway, and then back at the little man. His
mind was still foggy, but he grasped that somehow Wes was in trouble. The
little man seemed to have forgotten Jack’s presence. Jack backed away from him,
too terrified to think clearly. Wes had gone through the doorway. Wes was in trouble.
Without another word, Jack turned
and leaped into the swirling nothingness.
***
Jack stumbled as he felt solid
ground beneath him again. An immense crash to his left startled him, and he whirled
in that direction before catching his balance. He managed to keep his feet, but
only barely. A few yards away, he saw what looked like a man made out of metal
picking himself up out of a deep crater.
“Jack ,
duck!” came Wes’s desperate shout, and Jack whirled again to see, impossibly, a
wrecked car spiraling through the air toward him. His eyes widened, and he
froze.
A weight slammed into him, and he
flew off to the side just as the car came smashing down. Still unable to grasp
what was happening, he turned his head to see Wes rolling off him into a tense
crouch.
“Are you okay?” asked Wes, and Jack
stared at him blankly for a moment.
“Y-yeah,” he said finally, slowly
rising to his feet. He looked out over the scene of carnage they’d stepped
into, awe replacing shock on his face. They were standing on a sidewalk near an
intersection, the light poles and traffic signals hanging ruined at odd angles.
Throughout the area, people were doing battle, but no kind of battle he’d ever
expected to see. Men and women bounded, ran, tunneled, or flew around each
other, trading vicious attacks.
“What’s going on?” asked Jack , his eyes wide. “Who are all these people? Where
are we?”
“They’re superheroes,” said Wes. “Or
at least, I think they’re supposed to be.”
“How did we get here?” Jack was
struggling to control his panic, but it wasn’t going very well. “For that
matter, where is here?”
“Get to cover,” said Wes suddenly,
grabbing his cousin by the arm. He led Jack behind a truck, where they ducked
down. Wes raised himself up to peer over the hood of the vehicle at the raging
fight.
“I-I-I don’t get it,” stuttered
Jack. “What’s happening? Where are we?”
“We went through a doorway,” said Wes
unhelpfully giving Jack an accusing glance. “We’re on another world. I told you
to go home!”
“Oh, like I’m gonna’ listen to you,”
said Jack irritably. “What do you
mean, we’re on another world?”
“It’s a long story,” replied Wes.
“We’re not on Earth any more. We went through a doorway to another universe.
I’m supposed to be training to be the Gatehouse champion. This was supposed to
be a quiet trip!”
“Oh, really?” said Wes in a harsh
voice. “Does this look crazy?” He grabbed Jack by the shoulder and pulled him
up to look over the hood of the truck.
Jack watched as a chubby kid, maybe
eighteen or nineteen years old, sprang into motion. The boy’s speed was
incredible! He ran first to the left, then veered right and around a big man in
some kind of dark leather uniform. The big man tried in vain to stop the young
speedster, shooting crimson bolts of energy from his outstretched palms, but
the boy was too fast. He ran around in a blur, landing punches that staggered
the uniformed man and seemed to infuriate him, until finally a blow connected
just right, and the big man went down in a heap. The speedster skidded to a
halt, looking around for an opponent, then zipped off in another direction.
And that was just one small battle.
Everywhere Jack looked, men and women pummeled each other, sometimes trading
blows, sometimes blasting at each other with fire or lightning or wind or even
water and earth. Flying combatants swooped down on their landlocked opponents,
snatching them up to carry them high into the sky and send them crashing to the
ground. A huge man, his bare chest and face covered with deep scars wielded a
broken light post as a club to fend off a winged flying assailant in the same
dark leather as the man the speedster had felled. He swung the post wildly, but
the winged man avoided the blows easily.
“This can’t be happening,” said Jack . He began to repeat those words over and over
like a mantra.
“Snap out of it, Jack !” said Wes, grabbing his cousin by the
shoulders. “We’ve got to do something!”
“Do something?” cried Jack , incredulous. “Do something? What are we
supposed to do?”
“I don’t know,” replied Wes. “It
wasn’t supposed to be like this. I don’t know who the good guys are here!”
Jack looked back over the hood of
the truck, taking in the unfolding battle. The worst part of the scene was the people.
Not the flying people, or the people shooting lasers out of their eyes or
hands. It was the normal, everyday people who were scattered all around. Some
of them were obviously dead, their bodies crushed or burned and left to lie in
the streets. The casualties were horrendous! But there were others who weren’t dead,
and what they were doing was hard to wrap his head around. They wandered here
and there, usually not even trying to step aside as gouts of flame or hurled
cars struck nearby. They just stumbled along, oblivious to the melee that was
going on all around them.
And the fighting never lessened. Not
a single combatant even seemed to hesitate before blasting at an opponent, even
if one of those dazed onlookers was in the way.
Not everyone seemed to be oblivious
to what was going on. Every once in a while, Jack would see a man or woman jump
up and grab the arm of one of the dazed onlookers. Without words, the
zombie-like person would be hurried off around the corner, just out of the
battle zone, and then the Good Samaritan would be back, looking for another dazed
bystander to steer away from the carnage.
“This isn’t how Pomander said it
would be,” said Wes, turning away. “He said this place was supposed to be peaceful.”
He looked over the hood of the truck again, and then grabbed Jack by the arm and
yanked him upright. “We have to move!” He pulled Jack away just in time, as a
blast of green energy struck the truck, which exploded in a shower of flame. Wes
and Jack dived into an alcove, rolling
as they fell.
“I’m guessing he made a mistake,”
said Jack, groaning as he struggled to his feet.
“That’s an understatement,” said Wes.
Just then, Jack saw a young woman
stumbling forward not far from where he and Wes hid, a crying baby in her arms.
He watched in horror as she staggered between the huge, scarred man with the
light post and his uniformed opponent. No one else seemed to notice her there,
and she was oblivious to the danger. The scarred man raised his makeshift club
for a mighty swing.
“Hey! Get out of there, lady!” Jack
stepped forward, trying to get the woman’s attention, but it was no use. She stood
there, dazed, as death approached. Without thinking, Jack sprang from the
alcove and ran toward her. The scarred man swung his light post just as Jack
collided with the woman. His weight knocked her to the ground a few feet away,
the baby in her arms screaming in terror. Jack’s eyes widened momentarily as he
saw the light post swinging toward him. It stuck him with bone-shattering
force, and bright lights seemed to burst right behind his eyes.
***
“Jack !”
screamed Wes as he saw his cousin’s body fly through the air. Jack was knocked
clear across the wide street, where he struck the side of a building with a
thundering crash. The bricks crumbled at the impact as Jack fell limply to the
sidewalk. The entire wall collapsed, falling on the boy’s body in a huge mound.
Wes sprinted from the alcove,
darting in and out of the raging battle to get to his cousin. He reached the
pile of rubble and began clawing at the large stones, trying to move the heavy
pile of debris, but it was no use. His eyes stung as tears rolled down his
cheeks. With an anguished cry, he stepped back and threw his hands into the
air, calling the magic into him and using pure arcane energy to send stones and
mortar flying.
He used no spell, no magic words,
simply his anguish and raw mystic power. He could think of nothing beyond
digging, getting to Jack, saving his cousin.
Suddenly, there was the sound of
wind howling, and standing before him was a very chubby young man with choppy
hair and wide eyes. The young man began to speak, but his words were so rapid Wes
could hardly make them out.
“Hey,whoareyou,wheredidyoucomefrom?”
said the young man. “Yougotsomecool-powersthere,youbettercomewithmebeforetheConclavecatchesyou!”
He reached for Wes. “Comeon!”
The young man grabbed Wes around the
waist and hoisted him over one shoulder. He began to run, and Wes did all he
could just to hold on. The boy’s speed was incredible!
Before Wes could blink, the entire
battle was far behind them. They moved down the streets, zigging and zagging between
cars and buildings, and in moments Wes saw that they were in a deserted part of
the city. Wide, low buildings of only three or four stories lined the narrow
streets, maybe warehouses or manufacturing plants, but they all seemed empty.
Here, the young man slowed, although he was still moving faster than any
vehicle Wes had ever been in. They came to a long building, three stories high,
and the young man darted inside and slowed yet again.
It was hard to judge, but Wes still
thought they were doing seventy or eighty miles per hour. The young man angled
them down a flight of stairs, zipping down several levels before finally
skidding to a halt before a large metal door. He dropped Wes to the floor and knocked
three times on the doorframe.
The door opened with a bang, and Wes
was shoved roughly inside, still dazed from a journey that must have been miles
yet took only seconds. The stress on his body from the extreme speed was more
than he could handle. Once inside, he fell to the floor, his eyes rolling back
in his head as he began to lose consciousness. Just before darkness claimed
him, he heard a deep voice speak.
“Dammit, Jackrabbit, what have I
told you? When you’re carrying people, you have to slow down! They can’t take the…”
And then everything was black.
***
Everything was black. The air was
stifling, and a heavy weight covered his entire body. He tried to take a deep
breath, but his nostrils filled with dust, and he went into a fit of coughing.
The weight on top of him shifted in several places with his spasm. He stifled
his wheezing and tried to remember what had happened.
The scarred man. The woman and the
baby. And a light post.
He was still confused, but his
muddled thoughts were clear enough that he knew he needed to get out of this
mess.
He bunched his shoulders and pushed
upward, and the weight began to shift. With a mighty heave, the rubble moved,
and he stood up with surprisingly little effort. He looked down at himself, his
clothes in tatters and covered with dust.
“Hey!” a raspy voice called. “Don’t
move!”
A slender man approached, clad in a
leather uniform similar to those worn by the combatants in the recent battle.
His bore subtle differences, though; his legs and torso were protected by some
kind of body armor, and his mask was some kind of winged headgear that veered
down sharply at the nose like a beak and covered his mouth and chin with thin cloth.
The man strode up purposefully, his hand going to his belt to withdraw a small
device from among the many that hung there.
“Who are you?” he said, his rasping
voice almost businesslike.
“I’m…” He was still confused, but he
felt a sudden fear. With a deep gulp, he squared his shoulders and continued. “I’m
Jack Forrest. Who are you?”
The man consulted the device and
pressed a couple of buttons. “You’re not in the registry. Where did you come from?”
Jack opened his mouth to reply, then
thought for a moment. How to explain? “Earth,” he said finally.
“Don’t be an idiot,” rasped the
slender man. “Of course you’re from Earth. We’d have known if there’d been any
alien incursions recently.” The man snapped shut the small device and returned
it to his belt. “Never mind,” he said, pulling out what looked like a button
from another pouch on his belt. He tossed the button at Jack, who flinched as
it struck, but it only clung to his tattered shirt. Jack
looked at it curiously. A small light blinked in the center of a gold disc. The
man spoke into the underside of his gloved wrist.
“Skywatch. Raptor here. Unregistered
meta in sector four-twelve. Lock onto signal and transport to holding until
further notice.”
“Affirmative,” replied a disembodied
voice that sounded like a young girl’s, and Jack looked around, startled. A shimmering
light formed around him, and his vision began to fade.
“What’s going on?” cried Jack as he
began to panic. He tried to take a step forward, but he was frozen in place.
“Don’t worry about it, kid,” said
Raptor in his raspy voice. “You’re gonna’ be fine.” The man turned and walked away
as the light around Jack intensified. The boy struggled to move, but it was no
use. As the light grew in strength, Jack’s vision blurred until everything was
a wash of color, and then the world winked out for a moment. The next thing he
knew, he was somewhere else. The light was gone, and his vision was back to
normal, but his surroundings were completely changed.
Jack stood in a small metal room, a
single heavy door of the type you’d see on a submarine on one side. The walls
were smooth and shiny, and the floor was covered in some rubbery substance.
There was a small cot along one wall, and a sink on the other. A metal toilet
in one corner had a screen that could be pulled up for some small measure of
privacy. The little room reminded him of…
A jail.
It didn’t just remind him of one;
there was no doubt, it was a jail. He looked around and was certain he was right.
How had he gotten here? Why was he
in a jail? He couldn’t wrap his mind around the thought. He began to tremble,
terror biting at him, and a scream built in his throat. Before he could stifle
it, the scream escaped through his taut lips, and he found himself yelling
wordlessly at the walls. He rushed to the heavy metal door and began pounding
on it with his bare fists. His guttural cries echoed from the walls, almost deafening
him, but he couldn’t make himself stop. Even the sound of feet approaching
rapidly outside the door couldn’t stop his screams.
“Hey!” called a voice from the other
side of the door, a high-pitched female voice. “Dude, you gotta’ calm down in there!”
Jack jumped backward as an unnoticed slot in the door slid open, a young
woman’s face appearing in the opening.
“What’s wrong with you?” asked the
girl curiously, and Jack’s screams died away.
“I… I… where am I? Who are you?”
The girl regarded him, confused.
“You don’t know?”
When Jack
shook his head, she merely blinked. “You’ve been taken in by the Conclave,” she
said in a calming tone. “You’re lucky, too. It’s dangerous down there, and you
need us.”
“Dangerous? Down where?” Jack took a
step backward and sat on the metal cot. “Who are you?”
“I’m Lightray,” she replied casually.
“I was on Skywatch duty when Raptor called in. Listen, it’s okay. Everything’s
fine. They’ll let you out before too long, and you’ll get to start your
training.”
“Training?” Jack
was completely bewildered. “Training for what?”
“To use your powers,” she replied
matter-of-factly. “To join the Conclave. You’re a meta, and you need us to
protect you.”
“A… meta?” Jack repeated the
unfamiliar word carefully. “Powers?” He looked toward the girl, and for the
first time noticed the dents in the heavy metal door where his fists had
pounded. The door itself was even slightly buckled.
“You didn’t know?” the girl asked
brightly. “Well, aren’t you in for a surprise!” With a gleeful laugh, the girl
slid shut the slot, and Jack heard her walk away.
“Powers ?”
he said again, shaking his head in disbelief.
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